我們一有需要就到那裡去。渴了當然去。餓了去。累得要死也要去。高興的時候去,去慶祝。難過的時候去,去生悶氣。婚禮過後去。葬禮過後去,去找東西安定心神。之前,更一定要去,去打強心針。不知道自己要什麼的時候一樣去,去看是不是有人說得出來我們要什麼。尋找愛,需要性,想找碴,一概都到那裡去。要不就是協尋失蹤人口;因為,大夥兒遲早都會打從那裡冒出來。還有,我們想讓自己被人找到的時候更一定要去。......摘自 The Tender Bar A Memoir ( J.R. Moehringer ) 譯名 《溫柔酒吧》 mo!relax 目前是一間設計工作室和一間咖啡廳.....將來!!我們還會是更多可能。希望大家的鼓勵以及參與.....讓大家一起為了明天加油。 (咖啡店開始於 2004年1月12日 工作室開始於 2003年)

星期二, 7月 29, 2008

DJ KYOKO ☆ So CUTE ☆

☆ So CUTE ☆



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野台為大家帶來 80kidz 回到未來為大家帶來他的好朋友 DJ Kyoko (WIRE雜誌介紹electro tokyo list當中)所以這次來聽法國最火紅的Kitsuné廠牌下的 GUNS N BOMBS 之外別忘了這可愛 Kyoko。
我為大家收集了些照片與影像,希望能感受這青春魅力。
http://www.myspace.cn/oddhoney
http://www.myspace.com/oddhoneytokyo




kyoko.jpg K picture by inusagi

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B2TF 回到未來(近期活動快訊)

B2TF 回到未來(近期活動快訊)
8/14 (四) GUNS N BOMBS X B2TF X DJ KYOKO @ The WALL
8/18 (一) 回到未來 live 第三回 @ underworld
8/24 (日) 回到未來DJ 第四回 會前趴 dizzy ( 回到未來+床上暴動 ) X MEI back to back 台灣最高DJ @ 玉山山頂
8/24 (日) 回到未來DJ 第四回 @ underworld

回到未來合輯 Vol.2,目前已神密發送中...
http://back2thefuture.tw/

麻煩大家幫忙傳閱了,感恩


____________________________________________________
8/14 (四) GUNS N BOMBS X B2TF X DJ KYOKO @ The WALL

GUNS N BOMBS
是的就是來自現在法國最火紅的Kitsuné ,GUNS N BOMBS

Kitsuné 就是擁有digitalism與hot chip的法國廠牌。關於GNB,跟justice受到矚目的dj duo。而Pitch fork這麼討厭跳舞音樂都說GUNS N BOMBS的專輯會給美國跳舞圈丟下一個震撼彈。為 Chromeo, The Cult, Ghostface Killah, Gossip, Junior Senior, Klaxons, Nico Vega, The Teenagers都製作過混音版本。如果要說現在第一線跳舞新浪潮。你怎麼可以錯過GNB帶給你的現場set !來聽聽他們7/27最新丟出的mixtape吧。





DJ KYOKO from JP (confirming)
喜歡Yelle也喜歡uffie、與CSS。他是Tokyo nu girl party:XXX的主腦。其派對邀請的DJ包括80kidz的Mayu還有Punkadelix以及contemode saloon的Mitty。WIRE雜誌介紹electro tokyo list當中除了有dexpistol當然也包括了DJ KYOKO。對我來說他算東京女孩先鋒也不為過!而且外貌與實力兼備!


預售票 NT 500 with 1 drink
現場票 NT 700 with 1 drink

預售票在下星期開始在the Wall的小白兔唱片行有得買。
請多多支持回到未來!快去買票吧!

Written by: showyao

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8/18(一) 回到未來 live 第三回 @ underworld
雖然是Blue Monday但反正放暑假了而且門票只要他馬的300塊加一個飲料。300NT with one drink大家來把地社擠暴吧。Please come to the party !!!!!

AONAMI(日本)
我想稱aonami為8-bit恐怖份子,去年野台開唱於電舞台掀起hardcore techno跳舞浪潮。如過要我形容就是會覺得很幸福但是又很想要一直亂動的好聽。看我去年拍的Video吧!



Clarabell (日本)
野台有80kidz要來做live。回到未來也有潮流造型的CLARABELL一起來參加。融合electro / rap / rock於一體。感覺是個很幽默歡樂的樂團。讓我有點想到野獸男孩。跳著robot dance然後打一打鼓然後要跑出來RAP,然後下一首歌又變成electro。難怪Buffalo Daughter在去年為Clarabell的小專輯remix了一首既迷幻又groovy的歌曲。而且東京Ska天堂(與puffy合作boogie woogie no.5)也是他們的guest player。參加過2005 SXSW還有2006 Fuji Rock。聽日系音樂的千萬不要錯過!


感覺是會放鳥的神祕嘉賓 (紐約)


以上三團8/17也會在台東東海岸音樂季 x white label演出喔而且是FREE!如果你有去台東玩你就賺到了!如果沒有那就星期一來地社玩吧!

Written by: showyao


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8/24 (日) 回到未來DJ 第四回



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星期五, 7月 25, 2008

back 2 the future Vol2 封面設計

back 2 the future Vol2 封面設計
back 2 the future Vol2
01 Ironska  Martial Hoodlum
02 ASHEN  imminent invasion(Live Demo)
03 The Sisyphus' OST Crew  fallen leaf-final
04 Taimaica Soundsystem  Lost & Found(Live Demo)
05 八十八顆芭樂籽  說教人
06 阿焙+Space Cake  迷路
07 Space Cake  我的心中沒有愛
08 不熟的朋友派對  micro jackson
09 Clarabell  game center - 日本 Japan
10 Telephone Booth  damn kids (DynaTAC rrrrrremix)
11 A.O.N.A.M.I.  burning inside (b2tf mix) - 日本 Japan
12 Tyskerhar  John Woo - 德國 German
13 AV大久保  我愛藍精靈 - 中國 武漢 China Wuhan
14 劉錠 ( from Digihai )  藥癮
15 Fish.the  M-0.v.e

back2thefuture.tw
all copyright reserved by the creators
artwork by Mo!relax-dizzy
mastered by 大麻
made in Taiwan

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星期三, 7月 23, 2008

back 2 the future Vol2 曲序 搶先公佈

back 2 the future Vol2 圓標

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Sequential Circuits™ Pro One

最近敗了一台類比老老合成器,整理一下網路上抓的照片與資料

照片

SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片

廣告

SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片

簡介

SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片

說明書

SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片SCI Pro-One 說明書 + 照片

Who Played This Instrument?
808 State, Akikaze on In High Places, Juan Atkins, Bizarre Inc, Boris Blank, Bronski Beat, Ian Catt, Suzanne Ciani, Vince Clarke, Cyberaktif, Depeche Mode, John Dyson of Wavestar, Electribe 101, Electronic Dream Planet, Fluke, Chris Franke of Tangerine Dream, Frontline Assembly, Pascal Gabriel, Dwayne Goetell of Skinny Puppy, Gas Chamber Orchestra, Groove Corporation, Greg Hawkes of the Cars on "Just What I Needed", Larry Heard, Liam Howlett of The Prodigy, Steve Jolliffe, Howard Jones, Sophie And Peter Johnston, Joy Division, Juno Reactor, Brian Kehew and Roger Manning of The Moog Cookbook, KMFDM, Die Krupps, LFO, Marillion, Madonna Wayne Gracy - of Marilyn Manson, New Order, Nine Inch Nails, Nitzer Ebb, Nort, Ozric Tentacles, Rhythmatic, Shamen, Synco MArk Shreeve, Tim Simenon of Bomb the Bass, Adrian Utley, Yazoo

Sequential Circuits Pro-One

摘自 http://www.unease.se/proone.htm
The Sequential Circuits Pro-One is by many held as one of the most powerful sounding monosynths together with the MiniMoog and the Arp Odyssey. Although most people think the MiniMoog is unrivalled when it comes to deep bass sounds, the Pro-One is more versatile having a small modulation matrix with two busses. With the modulation matrix the filter envelope, oscillator B and/or the LFO can modulate oscillator A/B frequency, oscillator A/B pulse width or filter cut-off. The modulation can be routed either direct or via the modwheel. This may sound complex but is really straightforward to use.

The Pro-One was brought out on the market as a scaled down and cheaper version of the Prophet 5. The build quality is not in league with the Prophet 5, lacking the beautiful woodwork etc of its big brother. Its keyboard is notorious for its bad action and for being in constant need of service. This is much worse with the later versions using the membrane type keyboard. The membrane keyboard was used in the Pro-Ones with serial number over 8500 and seems to be very hard to service. The small membranes used as contacts for every key usually start producing double trigged notes or lost notes when getting old. Most Pro-Ones however (roughly 10 000 were made) have the much better J-wire type keyboard. The J-wire keyboards are pretty common in other synths and are pretty easy to fix when starting to act strange. Another concern with many of the earliest Pro-Ones, serial numbers under 1500, is that the power supply is mounted on the main board. The weight of the power supply can damage the main board if the synth is dropped etc. Many of the early ones were sent back to the factory for a fix and the ones produced later have the power supply mounted on the chassis instead.

When I bought my Pro-One the pots were very noisy from oxide and its keyboard was in pretty bad shape. I opened it up and cleaned the keyboard, fixed the keys so they were at the same height and started turning the bad pots back and forth to remove some oxide. Now it works very well with only some noise from some pots that I don’t use that frequently. The keyboard also works well even though it still feels very plastic and clicky. The amplitude sustain pot is broken off, but it still works.

The sound of the Pro-One can be described as very raw and gritty but still warm. The lead sounds often have a certain brassy quality to it. It’s not as bass heavy as the Waldorf Pulse but capable of producing really deep and solid bass. With some added EQ I think it is in the same league as the Pulse. The oscillators sound very alive and with PWM they are really massive! Comparing it to the Pulse again, it sounds so much more interesting when fully opening up the filter. The oscillators sound more physical and life full than the Pulse’s DCO:s. The filter can self-oscillate and produce interesting seagull like sounds when on the edge. The envelopes are well known for being extremely fast and snappy, which makes the Pro-One ideal for percussive sounds.

Perhaps the most famous user of the Pro-One is Vince Clark. He used it on Depeche Mode’s first album “Speak and Spell” (1981), but it was on the two album with Yazoo (1982-83) he really got the most out of it. In particularly the first album “Upstairs at Eric’s” the Pro-One dominates heavily with several songs solely made with the Pro-One. At least the first single “Only You” is well known to be an “all Pro-One song” since Vince published the patches in the Electronics and Music Maker magazine. In fact you can replicate most of the leads and bass sounds from this album with your Pro-One. Listen to the short MP3 demo where I have copied the sounds from the other single “Don’t Go”. On this page you will also find the patches I have used. It should be mentioned that the drums probably were made on another system [ARP 2600], other than that it is an all Pro-One song. You may judge for your self.

Other Pro-One artist are Nitzer Ebb, Bronski Beat, Front Line Assembly, Tangerine Dream and Die Krupps.



資料來源
http://www.winecountrysequential.com/pro_one_spec_sheet.htm
http://www.synthmuseum.com/sequ/seqproone01.html
http://www.solorb.com/anhevn/pro1.html
http://www.unease.se/proone.htm

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